Food Not Bombs Hobart | FNB Hobart Makers

Art Gallery

A curated collection of Christiaan’s carvings, revealing playful details, textures, and Tasmanian storytelling.

A meticulously carved Tasmanian timber wall display of native animals, featuring a polished huon pine wombat, a richly grained myrtle platypus, and a smooth, pale sassafras echidna arranged in a subtle arc on a dark charcoal wall. Below, a simple blackwood shelf holds a few carefully placed timber offcuts and carving tools. Cinematic, soft side lighting from an unseen window grazes the wood surfaces, drawing out the grain and casting refined shadows. Shot at eye level with a shallow depth of field, the foreground animals in crisp focus and the rest gently blurred. The atmosphere is sophisticated and gallery-like, with a photographic realism that feels calm, intentional, and artisanal.
A richly textured scene of a rustic, dark-stained Tasmanian oak table set up for a community woodcarving workshop, but without any people present. A neat semicircle of carving stations is arranged: each features a small blank block of local timber, a set of finely honed chisels, and a half-finished animal form showing basic contours. Light, powdery sawdust is scattered in deliberate, elegant patterns. Soft, overcast daylight streams in from tall unseen windows, giving the space an even, cinematic glow with gentle shadows under tools and timber blocks. Shot from a slightly elevated, wide angle, the foreground station is in clear focus while the others recede into a subtle blur. The mood is welcoming, thoughtful, and community-oriented, yet retains a clean, sophisticated aesthetic.
A dramatic close-up of a huon pine tree cross-section slice used as an educational piece, its concentric growth rings sharply defined and silky to the touch, laid flat on a matte charcoal background. Fine engraved markings along the rings discreetly indicate significant Tasmanian dates, blending art and storytelling. A slim, graphite-grey ruler and a small, engraved timber plaque labeled “Tasmanian Time” rest nearby. A single, narrow beam of warm spotlight cuts across the slice from the upper left, accentuating the golden tone and depth of the grain while the rest of the scene falls into velvety darkness. Captured from directly above with crisp focus and strong contrast, the mood is contemplative, intellectual, and museum-quality, highlighting the history and meaning held in local timber.

About

Tasmanian Timber Creature Gallery

Explore handcarved Tasmanian animals and story pieces, shaped from local Huon pine, myrtle, and blackwood, each design celebrating wild creatures, family moments, and the enduring warmth of timber in everyday life.

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An orderly workshop bench scene showing a partially carved Tasmanian tiger (thylacine) figure emerging from a block of raw blackwood, its form crisply defined at the head and shoulders while the tail remains rough and unshaped. Around it lie finely arranged chisels, a mallet with a worn timber handle, and curly wood shavings in honey and amber tones. The bench surface is scarred, oiled hardwood, set against a soft, out-of-focus backdrop of tool racks and neatly stacked Tasmanian timber boards. Diffused overhead workshop lighting with a narrow beam of warm side light creates a cinematic, focused area around the carving, enhancing depth and texture. Shot from a three-quarter angle, the atmosphere is quietly industrious, precise, and reverent toward the material.